My column in The Telegraph: Seville Rises Again

DAILY TELEGRAPH

Europe’s most sensuous city in a time of social distancing

Alexander Fiske-Harrison

Six weeks ago I wrote about a dream of wandering the streets of Seville, far away from my prison quarantine in Jimena de la Frontera in the forested wilds of central Andalusia.

But no imagining could have been quite as dreamlike as finally stepping off the bus at the Prado de San Sebastián, where they once burned heretics, but now welome tourists.

Photo by Nicolás Haro

The Sevillian sunlight in late June has that perfect golden slant, between the chilling white of winter or the infernal yellow of true summer which comes at the end of July. The temperature here is already mid-30s in the shade and a coronavirus cleansing 40 degrees in the sun.

I am met by my old friend, Nicolás Haro, a native of the city, who I have not seen since the pandemic began.

“It has been strange, mi amigo, to be locked away because the government lacked the hospitals and personal protective equipment to allow us to be together. After all, we will all catch this virus.”

I agree with his fatalism, but, for the moment at least, Seville is one of the clearest places on Earth, with a mere seven Covid-19 hospital patients in a city of over a million, and just two in intensive care.

Photo by Nicolás Haro

Despite this, we drive down almost deserted streets and those people we do see are masked and separated. The bars and restaurants for which the city is famed are shuttered.

I hope so as well, but also I cannot help feeling that I have never seen Seville so alluringly peaceful. With its bustle and feverish heat, rendered in purified form by its twin emblems of bullfighting and flamenco, Seville has always struck me as an overwhelming sensuous city. Now it is its grandeur that is on show, the remnants of a wealth that once outstripped all other cities on Earth.

In over 20 years of visits, I have never seen it look so striking.

“It is waiting,” says Nicolás simply.

It will not have to wait for long, for all the signals are that by the end of June quarantine-free travel will occur between Seville and the rest of Europe, possibly even the UK. For now I have the city to myself and am determined to take full advantage.

I decide to retrace the steps of my usual pilgrimage, as described in these pages, and am delighted to find Bodega Antonio Romero open, even if I begin the evening as the only customer there.

Alexander Fiske-Harrison at Bodega Antonio Romero – Photo by Nicolás Haro

However, my other favourites – Casa Matías, Casa Morales, Las Teresas – we find shuttered, and I retire to bed.

Even that is trickier than usual: the owners of my two mainstays, the Hotel Inglaterra and Las Casas de la Judería, had both told me they were closed. So I reach out to an old friend, Patrick Reid Mora-Figueroa, whose family owns the exquisite boutique Hotel Corral del Rey. To no avail. “Sorry my friend, I’m in Marbella – we’re closed until September.”

Deciding to put to an end to further exchanges I contact Marriot International, which runs the largest, grandest and most historic of all the hotels in the city, the Alfonso XIII. Closed until July 1.

Luckily, Nicolás’s brother Kinchu owns the nicest short-stay apartments in town, Almansa 11, a series of rooms carved out of the Marqués de Villamarta’s former mansion in the old El Arenal district of the city, so I finally find my rest.

El Rinconcillo – Photo by Nicolás Haro

The next day, Monday, Spain begins to reopen, including the Balearic Islands to certain forms of foreign tourism. But in Seville, where the Alcazar welcomes visitors for the first time in months, hearing the exclusive use of the Spanish language in the streets and bars has its own charm.

“It is as though the Sevillanos have reconquered the old city centre, where once it was so filled with tourists many locals stayed away,” says Nicolás.

We start the day at the usually packed El Rinconcillo, the oldest tapas bar in existence (founded in 1670) where Javier de Rueda, whose family have owned it for the last seven generations, greets us at the bar.

Javier de Rueda Santiago – Photo by Nicolás Haro

From there we crisscross the city, from the taurine characters who prop up the Bodega San José next to the bullring, to Casa Cuesta over the river in old Triana, at each stop meeting with more and more people – although all distanced, all protected, all obeying the measures which finally brought the virus in Andalusia to its knees.

And as the day draws to a close, and we sit down to dine at the finest white table cloth restaurant in the town, Casa Robles, with its perfect chuletón steak and its exhaustive list of riojas, I once again quote to myself the motto of the city which is engraved on every lampost and manhole cover, and which occurs to me each time I visit: Sevilla no me ha dejado, “Seville, she has not deserted me.”

Bodega San José – Photo by Nicolás Haro

 

Casa Cuesta – Photo by Nicolás Haro

My column in The Telegraph: After two months of draconian Spanish lockdown, with fines for ‘bad attitudes’, I’m dreaming of the feria

For the original article, available to subscribers only, please click here

DAILY TELEGRAPH

After two months of draconian Spanish lockdown, with fines for ‘bad attitudes’, I’m dreaming of the feria

Alexander Fiske-Harrison
1st May 2020

After six weeks of house arrest without even the opportunity to go to the village shop like their parents, or to go to the park like their pets, Spain has finally released its children – those aged 14 and under, with supervision, within a kilometre of home, and for no more than one hour a day.

Given that the average size of an apartment in Seville, our regional capital, is less than 600 square feet, one can only marvel that domestic violence has not been a bigger problem.

Of course, with three quarters of a million fines being issued by police and the Guardia Civil during that period, perhaps people did what they naturally do and simply found a way around an impossible set of laws. One could hardly blame them. The social contract is wearing thin.

Alexander's Andalusian town
Alexander’s Andalusian town Credit: getty

One of the categories of fine listed in a recent document from the national government includes €2,000 for “inappropriate attitude”. What exactly would be appropriate right now? Perhaps one should not be surprised that a revenue stream is being taken advantage of as the Spanish economy goes into the steepest decline since the Thirty Years War. Continue reading “My column in The Telegraph: After two months of draconian Spanish lockdown, with fines for ‘bad attitudes’, I’m dreaming of the feria”

My article in the Daily Mail on Seville

 

My article in today’s Daily Mail (original as image below).

THE THRILLS OF SEVILLE

By Alexander Fiske-Harrison

Flamenco is just one way to enjoy the wild spirit of this elegant Spanish city

SEVILLE’S motto is “she has not deserted me”. In the 13th century the city rose in favour of King Alfonso the Wise against a rebellious son.

Nowadays, it’s the tourists who do not desert her. From the Gothic splendours of the cathedral to the alleys of the old Jewish Quarter, it is a place to wander and wonder.

HISTORIC LESSON

AS THE birthplace of Roman Emperors, Trajan and his wall-building successor Hadrian, Seville’s classical origins are apparent. There are magnificent ruins, including at 25,000-seat amphitheatre, at nearby Italica.

By the 16th century Seville was at the heart of Spain’s Golden Age, due to its exclusive Royal license for all trade with the newly discovered Americas.

Notorious fictional knight, Don Quixote de la Mancha, was born here in 1597 while his creator was in prison in the Royal Jail of Seville. The country’s greatest painter Diego Velázquez was born here two years later. Continue reading “My article in the Daily Mail on Seville”

Seville in September

Alexander Fiske-Harrison in front of the Cathedral of Seville (Photo: Samantha Mullins)

Having spent the early part of the summer writing the second edition of the Wallpaper* City Guide: Madrid for Phaidon Press, I thought it worth reminding people that I did the same for their guidebook to Seville in 2014.

These guidebooks tend towards the modern – unsurprising given that Wallpapermagazine is design led – but I have always found a way to include establishments which aren’t defined by their youth, but by their quality.

Seville – where I have been coming for 20 years – has its finest month in September, especially this year with the 20th Biennial of Flamenco opening on September 7th in la Plaza de Toros de la Real Maestranza, the great bullring – the oldest of its kind in Spain – and running shows throughout the month – some for free – everywhere from the grand Teatro Lope de Vega and the Royal Gardens of the Alcázar Palace to the Church of San Luis de la Franceses to Café Alameda.

AFH and Padilla (Photo: Paloma Gaytán de Ayala y de Queralt)

Then, on the 29th, in that same ring, the most famous bullfighter in Spain, the one-eyed Juan José Padilla, is fighting his last ever bull as a professional. And this is no washed up matador making a last stand, he was ranked number one in Spain when he made the decision to retire last year, and has triumphed across the country on his final tour. (In Pamplona when I saw him he was extraordinary.)

I’ll write more about this further down this post – he is a personal friend and mentor after all – but to make it easier, I’ll say here that, tickets for that Saturday’s corrida are available to purchase and print online from the English-language version of the official site of the bullring by clicking here. (Tip: you want to sit as close to the centre of the ring, i.e. the sand, as possible, and preferably in the sombra, ‘shade’, or sol y sombra, ‘sun’ that becomes shade as the evening progresses.) The other matadors that day and the next are all extraordinarily talented – and ranked in the top ten for what that’s worth.
Continue reading “Seville in September”