The Sun Also Rises


Today my first ever article came out in The Sunonline here. Before I have always written for ‘broadsheet’ British newspapers like its News International sister paper The Times. However, after reading endless false stories about the tragic death of the Spanish matador Victor Barrio, I could not turn down the offer of a voice in Britain’s biggest selling national newspaper. 

Inevitably there are ‘casualties of truth’ in a situation like this. I was commissioned to write at 3pm to complete the piece by 6pm. In Pamplona. Having run with the bulls that morning. And drunk all day. After four identical days. 

I am not a matador, which is a professional title, which was explained in my writing, if not in the printed ‘copy’, I was a torero, a ‘bullfighter’. However, it is a churlish complaint when describing the arcane and esoteric to expect the sub-editor doing the headline on the edited copy – which has lost these nuances – to know the differences.

What is more, at least I did not lie. 

The article attached to my article from the League Against Cruel Sports – for balance, which I respect – has no such compunctions nor attachments to research and truth. 

I’ve been on every major ranch and in every major bullring and fought myself. When was a bull’s eyes ever smeared with Vaseline? Where is their evidence for this claim? A half blind bull would charge a blur of man and cape, rather than the specific part of the cape the matador dictates, and many, many more would be dead. The same goes for starving – nonsense, I have photos of them eating in the corrals of the bullring itself… guys, the blood is in the ring, you don’t need to make it up. 

If anyone really wants to read about the morality of bullfighting, read my speech at the Edinburgh International Book Festival as a blog post here

Alexander Fiske-Harrison

Method Authors: A New Literary Movement – from The Independent

image

Note: For details on the classes, go to our website http://www.theactofwriting.co.uk

I’ve been meaning to write a post on author Thomas W. Hodgkinson’s mooting of the “new literary movement” (ahem) of ‘method writing’ since he first spoke about it on BBC Radio 4’s Today programme a week or so ago. (You can listen to it excerpted on the BBC here.)

However, ironically, I was too busy practising what he was preaching, as I was living in the Montparnasse apartment of one of the real-life protagonists of a short historical fiction I was writing to enter in the Prix d’Hemingway in France.

So it wasn’t until I returned to London late last night that I discovered he had launched the intended project in this morning’s The Independent (online here.)

author-photo-alexaner-fiske-harrison (2)

My Research

Thomas tells an abridged version of the story of why I am one of his three “method authors” in the piece.

Alexander Fiske-Harrison… trained as a matador in Spain as research for his book about bullfighting, Into the Arena. He is also an actor who, like Dustin Hoffman, has honed his technique at the Actors Studio. So for him, nothing was more natural, when he sat down to write, than to don the same black “country suit” and short jacket he’d worn in the arena. Between bursts of typing, he would move about the room, performing what is known as toreo de salon.

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The Last Arena has moved…

The entire bullfighting content of this blog has now moved onto its own blog, which still goes under the old name of The Last Arena and can be found by clicking here

P.S. Blunt, Bryant and Brando

Further to my post below, I just published this in The Spectatorhttp://blogs.spectator.co.uk/culturehousedaily/2015/01/blunt-is-right-being-posh-in-the-arts-is-career-suicide/ I wonder whether anyone cared about the background of Welles (family of money), Brando (poverty), Nicholson (poverty) or Ordóñez (family of bullfighters). AFH

Marlon Brando: “When he’s gone, the rest move up a notch.”

Brando

I’m moving the bullfighting portion of this blog onto a new site, ‘The Last Arena’, because my work is returning to its pre-Into The Arena diversity, however, until then, it will be a rum mix. Now, Marlon Brando had nothing to do with bullfighting and his only remark on it was to Playboy magazine in an interview with Lawrence Groebel (reprinted in Conversations With Brando):

PLAYBOY: What else offends you?
BRANDO: Bullfighting. I’d like to be the bull but have my brain. First, I’d get the picador. Then I’d chase the matador. No, I’d walk at him until he was shitting in his pants. Then I’d get a horn right up his ass and parade him around the ring. The Spaniards don’t think anything more of picking an animal to pieces than the Tahitians do of cutting up a fish.

That said, he does look remarkably like the matador José Maria Manzanares…

Manzanares

Xander acting

Alexander Fiske-Harrison, left, acting in ‘The Pendulum’ in London’s West End in 2008

Anyway, when I trained as an actor, it was at the Method acting school The Stella Adler Conservatory in New York, which not only boasted had Marlon Brando as a alumnus, but, while I was there, he was its chairman.

The only word to apply to Brando in terms of his art, which was performance on film, was genius. At the time I was obsessed with acting and so I was fascinated by him. I am not alone in this, amongst actors, no one is rated more highly, as Jack Nicholson  -who provides the title quote to this post – put it in an article on his friend and neighbour in Rolling Stone magazine,

So I mean it when I say that if you can’t appreciate Brando, I wouldn’t know how to talk to you. If there’s anything obvious in life, this is it. Other actors don’t go around discussing who is the best actor in the world, because it’s obvious – Marlon Brando is.

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