An English farewell – ‘Una despedida Inglés’

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A portrait of me by Nicolás Haro

I wrote on this blog just before the April Fair that I first came to Seville on the back of a broken relationship ten years before. My dates were wrong: it was in June. This June, I found myself back again.

Seeing things through different eyes, a realisation came over me, which I have expressed in my column in today’s issue of Taki’s Magazine, centring as it does on the saddest story in cinema, Orson Welles. Even the title is a quotation from the great man: ‘The Second-Hand Men’. As I write there,

Welles either couldn’t admit to himself or couldn’t say out loud that the more pressing issue is not just becoming audience rather than artist, but in being fêted for just sitting in the stands and reveling in that. At this point one has slid from the morally and aesthetically questionable world of the voyeur to the far more reprehensible one of poseur.
(To read the column in full click here.)

Cf., the photo above…

At the same time, fate conspired me to spend a little time with all the people who helped me make, and themselves made up, my book on this beautiful and strange land, Into The Arena: The World Of The Spanish Bullfight.

As I describe in the column, I stood in front of the last lot of Saltillos ever to exit the gates of Félix and Enrique Moreno de la Cova’s ranch ‘Miravalles’, alongside my former Maestro, the ex-matador Eduardo Dávila Miura. And given what I used to be able to do…

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Me with a Saltillo bull in 2010 (Photo Nicolás Haro)

… what remained of my bullfighting technique was a rather poor thing…

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Me with a Saltillo becerra in 2013 (Photo: Miguel Santos)

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Me with a Saltillo becerra in 2013 (Photo: Miguel Santos)

However, it was still an emotional day with a large audience, many toritos and vaquillas, young bulls and cows, for the toreros practicós, ‘amateur bullfighters’, and a beautiful long lunch at the former Saltillo finca ‘La Vega’ afterwards, even if I was not in any condition to enjoy it as much as I should.

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The last capea of Saltillo at Miravalles (Photo: Miguel Santos)

Having realised that I was now just a torero on paper – a second-hand guy on the sand – I decided to quit while I was still ahead. (The bulls gave me a great deal, and I gave a great deal back, but they took something as well.)

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A portrait of me by Nicolás Haro

First, I paid a visit to my old friend and frequent collaborator, the photographer Nicolás Haro, who took these portrait shots while I could still fit into my traje corto. Hopefully, Nicolás and I will soon be collaborating once more on a book about the psychological link between horses and men, a centaur project to balance our minotaur one (Nicolás took the black and white photos for Into The Arena.) The initial collection of Nicolás’s photos for this project have already been nominated for one of the most prestigious international photographic contests held in Spain: PhotoEspaña.)

I will, once my excellent new agent Patrick Walsh of Conville & Walsh and I have published my new novel, complete the task of washing the blood from my hands with a book on what Teddy Roosevelt called “the beast of waste and desolation” and Man’s Best Friend: wolves and dogs.

That said, as you can see from the cover of this new book, Olé! Capturing the Passion of Bullfighters and Aficionados in the 21st Century, due to be published in the United States in the next few weeks, I have been writing on the bulls up to the very last minute (my chapter also contains great photos by Nicolás.)

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Before I left, I even got to say farewell to that one-eyed gladiator, my first teacher, Juan José Padilla, when he fought in the feria de manzanilla in his home town of Sanlúcar de Barrameda. (These photos are by me.)

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20130612-011107.jpgAnd then a last adíos to that matador de arte from the greatest of the taurine dynasties, my dear friend Cayetano Rivera Ordóñez, who was my chauffeur from Seville to Ronda so I could talk about Orson Welles, whose ashes are interred at his family home.

So, all that remains for me to do is say farewell to the streets of Pamplona in July with a couple of runs among their bulls, and those of that other, and more ancient, bull-running town Cuéllar in August (I wrote comparing and contrasting them in the Financial Times last weekend, linked to here.) I even have an invitation from Cayetano to join him in the ring (on a ranch in Ronda) one last time for “amusement” on the morning of the Feria Goyesca. We will see…

However, such amusements and formalities to one side, I’m done here. “There’s a world elsewhere.”

Alexander Fiske-Harrison

To read my Takimag column in full click here.

P.S. In a neat and final symmetry, having reached my highest point on talking about the bulls – the speech I gave to the Reform Club at the request of, and beside, the Spanish Ambassador – I have now gone full circle and been invited to talk about the bulls at my old school, Eton. I wonder if they know I’ll be running my last runs in my Eton College Athletic Club Colours blazer (400m). It’s the striped one on the right – I have my hand on the bull for balance – in this Reuters photo in 2011.

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Rest In Peace Bomber: Friend, Adventurer, Traveller, Warrior

On February 24th, 2013, my friend Bomber died. I thought it fitting to write a little tribute of my own to him here and translate the one from the website of the regional newspaper of one of his favourite cities on Earth, Pamplona.

20130226-112713.jpg Breakfast on Sunday of the Miuras, Pamplona, July 8th, 2012, among good friends. We had both just run with the bulls, I in my striped jacket, Bomber in his black one. The great bull-runner Joe Distler on Bomber’s left had removed his white tuxedo in case of spillages. (Photo: Jack Denault)

I first met Bomber properly in Pamplona in 2011, when I returned at the insistence of Angus MacSwan who told me I had got the city wrong in my book when he interviewed me for Reuters. That year, when I was flushed with the novelty of the feria de San Fermín, the wonders of running bulls properly, and the sheer excess of Fiesta properly lived, I can not remember how much we spoke, or what about. However, in the months that followed, he was a frequent commenter on this blog, and would often drop me notes congratulating me on the success of my book or my defence of los toros in various pieces of journalism.

His favourite of these was when I went to visit a matador he had met, Juan José Padilla, and who had taught me back in ’09, after he lost his eye in the ring, but was making a come back despite the injury and lack of depth perception.

Bomber had a great fondness for Padilla as a man, a matador, and in one of Bomber’s favourite complimentary phrases, “as a warrior”. He sent me this photo of the two of them together with great pride.

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(When I visited Padilla at his house before his comeback, he looked like this. [Photo: Zed Nelson])
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On my first day in Pamplona last year, July 6th, I joined the High Table of American bull-runners for dinner – Joe Distler, Larry Belcher and Bomber – and there Bomber told me how much it meant to him that another generation were coming to Pamplona, were becoming involved with the fiesta de los toros, and – most importantly to a man who at heart was a traveller – were helping to defend the diversity of things and cultures in the world, most especially Spain.

As Bomber and I walked back from that down into the Plaza de Castillo – well, he walked, I staggered from wine, funny how he made the encierro, the ‘bull-run’ the next day and I didn’t – I was reminded of the tragic story I was told about how the love of his life, Goldie, had died prematurely on the operating table, and how the news was conveyed to him in the that very square as he stood among friends outside Bar Txoco, where we always stand after the 8am encierro to ‘talk’ off the adrenaline, and how Bomber had collapsed from grief.

20130226-111655.jpg From left to right, Bomber, Joe Distler, Larry Belcher and Me one morning outside Bar Txoco, 2012 (Photo: Jim Hollander)

I cannot claim that I got to know Bomber half as well as I would like, but anyone who knows Pamplona knows that the fortnight that makes up two Fiestas is like three months of normal time. The only consolation for his passing aged 65 is that when he spoke of Goldie, you knew that life was simply so much less bright for him without her. And I noticed in our communications that he spoke of her more and more often after the 2012 Fiesta ended, and then he moved out of their shared home in Garmisch in Germany, posting strangely prophetic photos on Facebook as he did so, saying goodbye and thank you not just to the place, but seemingly to all his friends as well.

Myself and the young American bull-runner Bill Hillmann had spoken about going to meet him in Germany in the Autumn, but we never did, and that will always be a sadness in my life. Even my father, who only met Bomber a few times, asks after him, just as Bomber made a point of sending me this photo of the three of us.

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No one could be better prepared for the final encierro which we all one day will run. In the words of Joe Distler upon reading this post, “Bless and keep you brother.”

Alexander Fiske-Harrison

And here is what the newspapers said… [Read more...]

From Bond to Bullfighting

Stevan Riley is the award-winning director of a feature-length cinema documentary on the explosively gifted West Indies cricket team of the 1970s & 1980s Fire In Babylon. Since then, he has been working with me on an unnamed, unnanounced bullfighting project before he was taken away from it by Barbara Broccoli to direct her big budget documentary celebrating 50 years of James Bond, Everything Or Nothing – The Untold Story of 007, which premieres tonight in Leicester Square.

Director Stevan Riley

Since I am writer and co-producer, through Mephisto Productions, on the bullfight doc, I was very happy to see this officially confirmed in the trade journal, Screen International by Stevan, for the first time naming our main producer, Passion Pictures, under the Oscar-winning producer John Battsek (Best DocumentaryOne Day In September).

The documentary centres on a Spanish fighting bull from the greatest ranch of toros bravos today, that of Núñez del Cuvillo, and a Spanish torero from the greatest family of in the bullfighting world, Cayetano Rivera Ordóñez.

Matador Cayetano Rivera Ordóñez (Photo: Nicolás Haro)

(Cayetano is a fourth generation matador de toros. His great-grandfather, El Niño de la Palma, was the model for the matador in Ernest Hemingway’s The Sun Also Rises, his grandfather, Antonio Ordóñez, was the star of Hemingway’s The Dangerous Summer (Orson Welles’ ashes are also interred at his house), and his father, Paquirri, was famously killed by a bull in 1984.)

With much of the film in the can already, filmed on the visually astonishing Red Epic cameras, I am looking forward to starting work on it again in the coming months.

Alexander Fiske-Harrison by Nicolás Haro

Both Cayetano and the bulls of Núñez del Cuvillo get a mention in my feature about another matador and mentor of mine, Juan José Padilla, in last month’s issue of GQ magazine now available online here. The whole story of all of these characters, and myself, is available in my GQ recommended, William Hill Sports Book Of The Year shortlisted, Into The Arena: The World Of The Spanish Bullfight. It is available from all the usual outlets, including iTunes via GQ itself at a discount here.

P.S. Stevan’s film has been reviewed by GQ here.

Alexander Fiske-Harrison

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