“He came to Seville, and he is called Manzanares”

Matador José Mari Manzanares dances a ‘chicuelina’ with the 510kg, 4-year, 10-month-old J P Domecq bull ‘Rasguero’ (Photo: Alexander Fiske-Harrison)

Gregorio Corrochano, the bullfighter critic of the influential newspaper, A. B. C., in Madrid, said of him, “Es de Ronda y se llama Cayetano.” He is from Ronda, the cradle of bullfighting, and they call him Cayetano, a great bullfighter’s name; the first name of Cayetano Sanz, the greatest old-time stylist. The phrase went all over Spain.

from Ernest Hemingway’s Death In The Afternoon

In this year’s Feria de San Miguel, which ends the season’s bullfights in Seville, Spain, I watched the new hero of that city return to the sand to confirm yet again his supremacy in a mano a mano with another very skilled young matador named Alejandro Talavante.

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Note

From here on in, I shall refer to what we English call a ‘bullfight’ as a corrida de toros (literally ‘running of bulls’) or just a corrida, and bullfighters as toreros (lit. ‘those who play with bulls’). All activities involving bulls in Spain come under the blanket term fiesta de los toros, aka the fiesta brava or fiesta nacional or just the Fiesta, the activity of bullfighting is called tauromaquia – we have the old word tauromachy in English – and the art, technique and style of bullfighthing is called toreo.

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GQ magazine on the comeback of the bravest bullfighter in Spain: Juan José Padilla

My British GQ article on the comeback of the now one-eyed bullfighter Juan José Padilla is online here. The US edition of GQ sent there own author to interview him afterwards, which was silly, as she hadn’t the first idea about bullfighting – whereas I’ve been doing it since 2009 – nor Padilla and his place in that world – whereas as I had the man as my first teacher. The photo below is of the two of us during one of those lessons. We were both very different men then. He had two eyes…

Fiske-Harrison and Padilla training with a young fighting bull in 2009.

By coincidence, Claire Danes, the beautiful actress on the cover of the issue on which the article appeared is a dear friend whom I thanked in the acknowledgments to the book that came out of those two years in Spain Into The Arena: The World Of The Spanish Bullfight in the first five chapters of which Padilla is so central. So I must thank her once again in the acknowledgments to this article, this time for providing such glamorous packaging.

Padilla is a man of great dignity, aesthetically and internally, but he isn’t exactly pretty. And, as Zed Nelon’s wonderful spread which opens the physical edition of the article shows, he ain’t no cover girl. The photo is in his house, which we went to the day before his comeback ‘fight.’

Please note, should you read the article, that, GQ holds the view, in common with many other publications, that when you pay a writer for his words, you have also bought the right to put words in his mouth.

I, personally, could not write a phrase like “my dread boiled.” (What I actually wrote was “I was worried.”) My dread just doesn’t boil (anymore).

Nor could I have written that the Spanish financial bailout was £80m. I used to work for the Financial Times and know a million from a billion.

Nor did I write the paragraph below, which appeared twice, once as a pull quote. I don’t even really agree with it.

Just so you know. (Bullfighters do not compare bull’s horns to “a Louboutin stilleto”. Ever.)

Anyway, much of the article is mine, and all of Padilla’s words are his own, which on their own would make it worth reading. However, if you come across something in the article that feels wrong, then it probably is, and probably didn’t come from me.

Anyway, if you want to know Padilla’s whole story, and much, much more, read my book Into The Arena: The World Of The Spanish Bullfight. You can purchase it as an eBook via GQ on their website where it tops their recommendation list here. (It was also shortlisted for the William Hill Sports Book of the Year Award, “the world’s richest sports’ writing prize”.)

If you live outside the UK or want it as a physcial book, other options are here.

Alexander Fiske-Harrison

Perhaps bullfighting is not a moral wrong: My talk at the Edinburgh International Book Festival

Yesterday evening I immensely enjoyed giving a talk to the sold out audience at the 500-seat Scottish Power Theatre at the Edinburgh International Book Festival on my book Into The Arena: The World Of The Spanish Bulllfight. It was followed by a discussion with the chair, Al Senter, and the Q&A session with the audience that (along with brief personal chats with about half of those present who came to have their books signed by me in the London Review of Books tent afterwards.) The questions were all well-informed and interesting, not least because, as many of the audience members said to me in person, I’d answered most of their more general questions in my opening talk. So, here is the transcript of what I said:

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I was going to read from my book, but it seems that the most important topic in the United Kingdom in the 21st Century, indeed in the English-speaking world – when discussing bullfighting – are the ethical issues surrounding the harm and killing of animals for a public spectacle. So I want to address these head on.

As a liberal, it is not my intention, or my place, to tell people whether or not they should approve of or enjoy bullfighting anymore than it is whether they should approve of or enjoy opera. However, when people seek to ban an art form from existing, so that other people may not enjoy it, whatever claims have been made by other people who have never witnessed it, then certain questions have to be raised.

Whatever the motivations behind the ban on bullfighting on Catalonia – and there have been accusations of underhand dealings, thumbing of noses at Madrid to gain votes, which has some circumstantial evidence for it as the popular Catalan regional hobby of attaching burning tar balls and fireworks onto bulls’ horns and letting them into the streets is unaffected by the legislation – anyway, the stated reason is the ethics, or rather lack of ethics, of bullfighting. So, that is what I should like to discuss here.

However, before I can do that, I have to dispel some myths that have long surrounded the bullfight, pieces of propaganda that have been propagated by the anti-bullfight lobby such as CAS International, the League Against Cruel Sports and PETA.

The one I most often hear is the complaint that the matador faces a broken down and destroyed animal. Take a close look at this bull in these photos and tell me how broken down it looks.

Morante de la Puebla performs a ‘veronica’ (Photo: Author)

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The text of my speech at the University of Seville on ‘Into The Arena’

(In the original Spanish here.)

Last Friday, before the opening of the Feria de Abril here in Seville, I gave a conference on my two perspectives on bullfighting: from far away – England – and far too close – the sand of the bullring.

It was a great honour to talk in the main lecture theatre in the antique Royal Tobacco Factory of Seville, the setting for Bizet’s Carmen among other things (which was in turn based on the novella of that name by Prosper Mérimée.)

The speech was particularly well-received. Rafael Peralta, a poet, author and amateur bullfighter from a great family of bull-breeders and rejoneadors – horseback bullfighters – had the following to say about it in the newspaper La Razón, ‘The Reason’ (my translation):

An Englishman in the arena; by Rafael Peralta Revuelta

This past Easter Sunday, a British diplomat, Lord Tristan Garel-Jones, made a defense of bullfighting from the lectern of the Lope de Vega theatre in the classic Pregón Taurino, ‘Taurine Proclamation’, of the Royal Maestranza of Seville. Bullfighting has always appealed in one way or another to the English. For some, it is a show that, far from their Anglo-Saxon culture, they describe as barbaric. For others it may mean something curious, full of mystery and romance. Such was the case of Joseph William Forbes, a boxing manager who every summer went to Spain for his own particular taurine “tournament”. As do the members of the Club Taurino of London, who every year visit our city to attend the bullfights of the April Fair. Alexander Fiske-Harrison is an English writer and actor, whom we find at the entrance of the Plaza de Toros. Several years ago now, he began to have contact with the world of bullfighting, with the help of family and close friends. Little by little, he went deeper into the secrets of the world of the bulls. He became an amateur bullfighter, fighting on the ranch “Zahariche” of the Miuras, and arrived at the point of killing a Saltillo bull on the ranch of the Moreno de la Cova family. He became friends with bull-breeders, with bullfighters like Juan José Padilla and Adolfo Suárez Illana. His experiences are contained in the book Into The Arena: The World Of The Spanish Bullfight. As a philosopher and writer specializing in analyzing the behavior of animals, he recognized in England that there is a lot of hypocrisy about bullfighting. Last week gave a lecture at the University of Seville, explaining his vision of bullfighting. Fiske-Harrison opens a new door, fundamental and necessary, to the Fiesta Brava in Anglo-Saxon culture.

I enclose the text of my speech below. The text of Lord Garel-Jones’s Pregón Taurino, which he has kindly provided to me in English (his speech, like mine, was delivered in Spanish), is viewable as a PDF by clicking here: El Pregón Taurino de Lord Tristan Garel-Jones – English. I will finish by saying how happy I am that after leaving a lecture like this, the entire audience went to the Seville bullring, La Plaza de Toros de la Real Maestranza de Caballería de Sevilla (in whose 250-year-old library, Into The Arena is the only book in English). There we saw the very essence of what I was talking about in terms of beauty in the toreo of José Mari Manzanares who cut four ears and left on the shoulders of the crowd through the Gate of the Prince.  (We met in the training ring a month ago.) I must also mention the astonishing valour of the now one-eyed Juan José Padilla.

In the photo below, by the historian and author Guy Walters who was sitting with my mother and my girlfriend, you can see Manzanares embracing his father, a former matador of great note. Circled left are myself and my own father, in seats generously provided by Enrique Moreno de la Cova and Cristina Ybarra. Leaning on the planks in the foreground is Padilla.

“Into The Arena”: The bullfight as lived by an Englishman

Ladies and Gentleman,

You will forgive me but in the eighteen months since I completed the research for my book I have forgotten as much of my Spanish as I have of my bullfighting – as a little bull of Astolfi discovered to his delight a week ago. However, I hope that more language remains than my technique of tauromachy and that I walk away with fewer bruises!

First, I would like to thank the University of Seville – and especially Jose Luis and Antonio and their Forum of Analysis for inviting me, an Englishman, to speak about my perspective on the bulls. I was going to say that this is a rare honour indeed, until I read in the newspaper that my fellow Briton, Lord Tristan Garel-Jones, was doing just that two weeks ago. I would like to say it doesn’t count, because he is Welsh and not English, but then I might offend my dear friend and deep aficionado Noel Chandler who is here today. Also, since Lord Garel-Jones’s talk was the annual Pregón Taurino of La Maestranza, and it was delivered with such eloquence, I must doff my cap, and have provided a copy of it courtesy of its author.

So I am now faced with the problem many matadors have in facing a bull immediately after a colleague has taken two ears. [Read more...]

For those that missed it: The return of Juan José Padilla to the bullring in Olivenza.

 

YouTube video below:

Alexander Fiske-Harrison

The matador Juan José Padilla triumphs

 
Juan José Padilla tours the ring in triumph on the shoulders of our friend Adolfo Suárez Illana (click to enlarge)

Juan José Padilla is a Spanish matador whose generosity of time, spirit and courage allowed much of my book, Into The Arena: The World Of The Spanish Bullfight, to exist (click here to purchase at Amazon UK, and here for Amazon US). And, without him, as many critics pointed out, it certainly have been as widely praised as it was (nor shortlisted for Sports Book Of The Year 2011, I suspect.)

Juan José was the first matador I met in Spain. It was he who took me to my first training session with cattle at the ranch of Álvaro Domecq, ‘Los Alburejos’ (and then onto his own nightclub ‘La Lola’ in Jerez de la Frontera afterwards). This – including the club - forms chapter three of the book. He was also with my when I first entered the ring myself at the ranch of Fuente Ymbro (chapter four), and much, much more besides.

So, when I heard about his horrific goring, detailed in the post here, in which he lost his left eye I knew that I had to be present when he inevitably returned to the ring.

However, no amount of confidence inspired by Juan José’s words when I visited him at home two days before the fight, nor seeing the calm beauty of the bulls in their natural wilderness the day before that, could prepare me for his triumph in the ring, ending with him being carried out on the shoulders not of the crowd as is usual with a great success in the plaza, but on the shoulders of the top matadors of today – who had gathered to watch – and now jockeyed to carry the Maestro themselves.

However, should you wish to know more of Juan José, read Into The Arena, and then go and see him in Valencia on March 16th alongside the No.1 matador in Spain, José María Manzanares or they will both be fighting at my own favourite ring, in Seville at the April Fair, on the 20th and again, with his old friend Fandi (the technical no .1 in Spain) and El Cordobés on the 28th (you can buy tickets here). I would suggest that in Seville those on a budget stay at the Hotel Adriano (website here) next to the bullring, those who want old beauty stay with my friends at the Hotel Las Casas de la Juderia (website here), and those who prefer the boutique, with my friends at the Hotel Corral del Rey (website here). Direct flights from London are by Ryanair and Easyjet.

Alexander Fiske-Harrison

Juan José Padilla with his capote (Photo: Daniel Ochoa de Olza / APMore Photos)

The Man of the Moment: Juan José Padilla

Screen capture of interview (videos embedded below)

I have embedded below, in two parts, Canal Sur’s Jesús Quintero interviewing the matador Juan José Padilla – and his wife Lidia at the end of the second part - about his forthcoming return to the ring in Olivenza on March 4th, following his horrific injuries I posted about here. Not for nothing did [Read more...]

The Times: Toreros Through Time, captioned by Alexander Fiske-Harrison

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Matador Juan José Padilla returns to the ring… and so do I

My friend, the legendary matador Juan José Padilla who is the first four chapters of my book Into The Arena, whose terrible goring last year cost him an eye as detailed here, is confirmed to return to the professional arena in Olivenza, Spain, on the final day of the feria there on Sunday, March 4th.

The matadors who are to accompany him are two of greatest working today. Morante de la Puebla, the Divine Cape, is an artistic genius and a childhood friend of Padillas. The second is José María Manzanares, son of the great matador of the same name, who put in a performace last year which stunned Spain and elevated him to “man of the moment”. Only Julián López – El Juli - and José Tomás also fight at this level.

They will be facing the best bulls in Spain, Núñez del Cuvillo, whose cattle are known for their ferocity and courage (as I have experienced myself). It was one of their bulls, fought by Manzanares, who was pardoned for bravery in Seville last year – the first pardon in that discerning ring in half a century.

I will be at Padilla’s side in training on the ranch – my own return to the ring with cattle - and in the callejón - the bullfighter’s alley – at the plaza de toros itself.

Alexander Fiske-Harrison

Juan José Padilla with a Miura bull, Pamplona 2011 (Photo: Antalya Nall-Cain)

Mad Bulls and Englishmen by Giles Coren in The Times

This article of Giles Coren’s was originally published in The Times magazine on Boxing Day ’09 where it is still available along with Dominic Elliot’s film of our day bullfighting here. All photos are by Nicolás Haro.

Alexander Fiske-Harrison, the English bullfighter, takes on a ‘vaquilla’ of the Saltillo breed. Inset: with Giles Coren, attending a bullfight in Seville.

Writers and travellers have long been drawn to the drama and romance of the bullfight. Giles Coren is no exception, so when he was contacted out of the blue by the younger brother of his dead best friend, now training to be a bullfighter in Spain, Giles was intrigued. Here he describes his journey into a unique culture of noblemen, peasants and swindlers, all driven by deadly serious dreams of death and glory

I am in a bullring. Not in the seats, in the ring. On the sand. From the relative safety of a wooden barrier with a small room behind it, built into the stone wall, I have seen four vaquillas, young cows, “caped” by one of Spain’s most famous matadors, the son of the first post-Franco prime minister of Spain, Adolfo Suárez Illana, and by Alexander Fiske-Harrison, the younger brother of my best friend at school, who died in an accident the year we left, three months before his 19th birthday. [Read more...]

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